{"version":"1.0","provider_name":"EKWC [EN]","provider_url":"https:\/\/ekwc.nl\/en","author_name":"annelies","author_url":"https:\/\/ekwc.nl\/en\/author\/annelies\/","title":"Hsin Min Chan - EKWC [EN]","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RyxB9DDTQE\"><a href=\"https:\/\/ekwc.nl\/en\/kunstenaar\/hsin-min-chan\/\">Hsin Min Chan<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ekwc.nl\/en\/kunstenaar\/hsin-min-chan\/embed\/#?secret=RyxB9DDTQE\" width=\"600\" height=\"338\" title=\"&#8220;Hsin Min Chan&#8221; &#8212; EKWC [EN]\" data-secret=\"RyxB9DDTQE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/ekwc.nl\/en\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/ekwc.nl\/en\/wp-content\/uploads\/sites\/2\/2025\/06\/profile-600x400.jpg","thumbnail_width":600,"thumbnail_height":400,"description":"Groping hands, fingers, human body parts distorted and recombined into hybrid shapes and images \u2014 the first impression in Hsin Min Chan\u2019s studio is one of aggressive and repelling forces at work in a precarious equilibrium. Executed in ceramics, Chan\u2019s visual research into systems of objectification results in visceral impressions that remap the body, disturbing, [&hellip;]"}