{"version":"1.0","provider_name":"EKWC [EN]","provider_url":"https:\/\/ekwc.nl\/en","author_name":"EKWC.nl","author_url":"https:\/\/ekwc.nl\/en\/author\/kjcontent\/","title":"Majda Vidakovic - EKWC [EN]","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"vGxth2QEru\"><a href=\"https:\/\/ekwc.nl\/en\/kunstenaar\/majda-vidakovic-2\/\">Majda Vidakovic<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/ekwc.nl\/en\/kunstenaar\/majda-vidakovic-2\/embed\/#?secret=vGxth2QEru\" width=\"600\" height=\"338\" title=\"&#8220;Majda Vidakovic&#8221; &#8212; EKWC [EN]\" data-secret=\"vGxth2QEru\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/ekwc.nl\/en\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/ekwc.nl\/en\/wp-content\/uploads\/sites\/2\/2022\/08\/5-1-scaled-1-600x800.jpg","thumbnail_width":600,"thumbnail_height":800,"description":"Majda Vidakovic (RS) has always been fascinated with the concept of leftovers &#8211; traces of what&#8217;s left behind. Amongst other materials, such as wood, glass, used bricks and rocks, she has been collecting paper pulp packaging boxes. These materials reminded her of the sculptures, monuments, and Brutalist architecture that still exist as &#8220;leftovers&#8221; of former [&hellip;]"}