Weaving is a way for Anina Major to relate to the fragmented legacy of the pre-Columbian Bahamas on her own terms. It also connects the artist to her maternal grandmother, who wove mats and baskets to sell in the market. Plaiting strands of clay, Major makes larger strips that she plies into different shapes. This method is quite distinct from the twining technique she discovered on the island where her father was born, weaving coils of clay through a more rigid structure of radial spokes. The techniques essentially represent two complementary principles and the resulting works generate meanings well beyond the first references to functional objects like baskets or cages. At EKWC, Major built several larger pieces. While the physical process of carrying, mixing and extruding huge amounts of clay turned creation into labour, the architectural scale of the sculptures suddenly manifests their relation to the human body.<\/p>\n","protected":false},"featured_media":62599,"template":"","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false},"class_list":["post-61875","kunstenaar","type-kunstenaar","status-publish","has-post-thumbnail","hentry","countries-bahamas","disciplines-ceramist"],"acf":[],"yoast_head":"\n